pátek 10. března 2017

Class Screenings, week 2 - The People vs Larry Flynt

THE PEOPLE VS LARRY FLYNT

Director - Miloš Forman 

Czechs are very proud of their fellow citizens that manage to make it in the world. Franz Kafka, Tom Stoppard, Miloš Forman … Czechs always make sure their foreign friends know where these geniuses come from originally. You could sense the buzz about this week´s choice of movie among the classmates as well. Very proud to be able to watch a movie by a Czech director in a “cinematography of English speaking countries” class.
                The People vs. Larry Flynt is a movie about the “porn king” who fought for free speech rights in the US, and to this day is called a hero for what he accomplished.  Or did he? His daughter, Tonya Flynt seems to have a very different opinion: "He doesn't give a damn about freedom of speech ...all he cares about is making millions of dollars out of the sexual exploitation of women and children."
                I am “ashamed” to say, I had no idea who Larry Flynt (who actually even played a tiny role in the movie as well) was before the Tuesday class. I remember holding Hustler Magazine once in my hands, back at primary school when one of the more spoiled kids wanted to brag about what kind of literature he reads. And the owner was not what we were looking at, so the fact that Larry Flynt was the man behind all this was very new to me.
                Obviously the movie serves as a kind of biographical film of the successful publisher, shows a bit of his childhood, his rough starts, falling in love etc. etc. up to the point when he became a billionaire. The main part of the film is when Larry Flynt gets in trouble with the law after publishing a parody of the then famous Campari ad, in which a Baptist Reverend, Jerry Falwell is pictured saying that his first (sexual) time was with his mother in an outhouse. Falwell sued Flynt and Hustler for 45 million dollars for emotional distress and invasion of privacy and libel. Flynt brandished the First amendment, and the movie then elaborates the problem, while displaying Flynt consistently mocking the court and the church.
                The whole case goes all the way up to the Supreme court, that finally decides that “public figures, such as Falwell (or how Flynt likes to call him, Fartwell) cannot circumvent the First amendment protections by attempting to recover damages based on emotional distress suffered from parodies.”
                We can talk about whether it was right to include Falwell´s mother into it, but I find this decision crucial for democracy and free press. And was quite surprised the decision was unanimous, since people like Scalia were still there. Imagine a world without media being able to make fun of public persons, or current situations. That would be a very depressing environment to live in.  I am glad I was born into a society that is able to distinguish satire from reality. And laugh along with it. Because I don’t know what I would do if I wasn’t able to watch Saturday Night Live, and Last Week Tonight.
                So from this point, I think of Larry Flynt as a hero. Although we don’t really know whether he did it for free speech rights, or for the money, as his daughter suggests. I don’t really agree with the concept of Hustler, nor do I think Larry Flynt is a particularly a nice person, but we still have to understand how crucial the whole “Larry Flynt thing” was and still is for the world. We must stand up to anyone who questions free speech and free media, wherever it is a Jerry Falwell or ISIS.
                Lastly, I want to appreciate that Miloš Forman didn’t make this into a porn movie about a porn king, and managed to make it decent as possible. Miloš Forman himself said that he does not like Hustler, and that he agrees that it is “tasteless”, which I think is really why the movie is that good. If it was directed by a person, who is a Hustler subscriber and is a porn fan, I believe the final product would have been very different.
                Also, I thought Courtney Love was outstanding in this movie, and I was very disappointed to find out that she did not grab the Academy Award for her performance. Neither did Woody Harrelson or Miloš Forman, but Kolja won that year, so at least something.

                As of now, I think I will be doing my final seminar work on this movie, but I will gladly change my mind, if something better comes up.

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